Welcome in my world

Within my fine arts painting research, I explore formal and chromatic universes, experimenting with the ways in which pictorial matter, line and field can generate an emotional substance that, through a play of refractions, goes on to shape forms and colours.

Fine arts sculpture represents the completion of pictorial research, yet through a wider embrace of materials. I favour organic substances such as clay and plant-based compounds, while I refrain from using stone—marble in particular—out of respect and environmental sustainability.

My Fine Arts  are not only sculpture and painting. Poetry opens a further space of experimentation within my artistic practice, extending beyond the mere insertion of alphabetic signs or phrases into formal representation. Synesthetic writing is a laboratory where emotions and immediate sensory stimuli are transmuted into language. The body, through its own narrative and aniconic movement, is the medium from which the entire process unfolds. I prefer the term movement and expression instead of performance. 

This  visual arts tecnique allows me to reconnect with the material contact with reality and its forms. The process I use—the direct contact of the object with the photographic surface—is a kind of physical instruction to an otherwise ordinary flow of digitization. My use of cyanotype doesn´t follow the direction of the naturalistic reproduction of unusual objects. I am not interested in documenting visible forms—a practice for which I believe there are more suitable tools—but rather in working with visual and synesthetic suggestions that arise from the physical contact between matter and light.

I engage with digital tools and techniques, as well as virtual environments, in a free and flexible manner, according to the demands of each project. Some works remain entirely untouched by digital interventions, while in others these elements become integral to the process, and thus to the work itself—as in the case of live social media performances. When digital techniques are employed, they are noted alongside other methods in the description of each work. I believe digital integration is a constitutional part not oly of Visual but also Fine Arts.